Collectors are Out Of Their Heads for early Rolling Stones signed items in the latest RR Auction.

Early Rolling Stones autographed items continue to bring strong prices in auction even in this down economy.

I imagine this gives Stones collectors some “Satisfaction” in knowing their collections are continuing to increase in value and scarcity.

Just recently RR Auction of Amherst, New Hampshire ran the Joey Ramone auction ending February 21st featuring rare items from Joey’s estate. The Beatles, The Stones, Elvis, The Doors, Jimi Hendrix among others were also represented.

An Out of Our Heads album signed on the back cover in blue ballpoint by Mick Jagger and Brian Jones, black felt tip by Keith Richards and Charlie Watts, and black ballpoint by Bill Wyman. In very good condition, with some light scattered foxing and toning, general rubbing wear to the front cover, and a few slight brushes to the signatures brought a whopping $7620.00 plus a 20% buyer’s premium.

Below you can see a copy of the album described.

Also a more recent Rolling Stones limited edition lithograph for the album “Stripped” signed by Mick, Keith, Ronnie and Charlie brought $4300.00.

Both a steal when you consider there were two Beatles signed red label Parlophone 45′s that each went in excess of $22,000.

Wait, what?!?!?!?

Peace and Love. Ringo Starr and his All Star Band come to Boston.

On June 19th, Ringo Starr and his 2012 All Star Band brought their message of “Peace and Love” to Boston.

It is was an incredible show.

The All Star band featured, Steve Lukather (Toto), Gregg Rolie (Journey, Santana), Richard Page (Mr. Mister), Todd Rundgren, Mark Rivera, (Billy Joel), and drummer Gregg Bissonette.

I was lucky enough to score 2 backstage passes thanks to my friends John DeChristopher from Zildjian and Jeff Chonis, who has been Ringo’s personal drum tech for the past 22 years.

Thanks guys.

Backstage was a mad house as you could imagine. Every local music big wig was there waiting to catch a glimpse or get a chance or a picture with the legendary Billy Shears.

For most that didn’t happen.

But we did hang out until Ringo made his way to the stage.

I had incredible seats. 4th row center.

Here are some photos from my seat.

“Welcome To My Jungle.” Some rare Guns N’ Roses memorabilia.

I’ve been fortunate in my years in advertising to have met some pretty cool people.

Like say, Slash for instance.
I’ve always been a HUGE Guns N’ Roses and Slash fan.
Their critically acclaimed debut album “Appetite for Destruction” is still one of my top five favorite rock albums.
Most if not all critics agree it set the bar for heavy metal rock in the 80′s.

I just finished up a TV campaign for the L.A. Zoo promoting a new exhibit called The Lair in which Slash and the venerable wise cracking octogenarian, Betty White starred.
We shot 5 different TV spots over the course of a day at the zoo.
They were both a joy to work with.

And Slash is the real deal.
The rock icon you would expect him to be.
But down to earth and soft spoken.
A true gentleman.

I was completely beside myself.

I happened to have a few rare GNR items in my collection, one I brought along to the TV shoot to have Slash sign for me.
An original ticket and flyer, circa 80′s, from one of their gigs at the famed Troubadour in West Hollywood.
The band’s stomping ground and where they played several of their most memorable performances.

Here are a few pictures from the shoot, as well as some other rare items from my collection.

 

Rock and Roll Photography. Visual storytelling at it’s best.

Copyright Rob Shanahan.

Copyright Rob Shanahan.

I’m going to be giving a talk at the Griffin Museum of Photography in Boston, February 16th in conjunction with their current exhibit on Rock and Roll photography.

Some of the featured photographers are: Mike Mitchell, Herb Greene, Bob Bonis, Ron Pownall, Astrid Kirschherr, Melissa Mahoney and Brian Babineau to name a few.

Many of these photographers have had a enormous impact on me.
Their enduring and powerful images have inspired me to make photography a major part of my collection.
It prompted me to write a post on Rock and Roll photography and how important it is as an art form.

Photography has brought new meaning and importance to items I have purchased over the years. Whether serving as photographic reference, or adding depth and history to the items I have.

The story and photo behind the piece I have often found is more interesting and meaningful to me than the piece itself.

They are everywhere we want to be.

Backstage and onstage.
In limos.
In the studio.
Standing in front of the stage.
Sitting in dressing rooms.
Riding the elevators.
Grabbing a bite in a restaurant…..catching moments no one would see, if not for them.

Thank you all.

The prints shown here are those of Rob Shanahan.
These two beauties are in my personal collection.

You can see more of Rob’s exceptional work on his website.

robshanahan.com

….And he’s just published a book.
I had the pleasure of finally meeting Rob in Anaheim at the NAMM show this past January just a few weeks ago where he was signing and promoting his book.

Here’s a bit more info on this super talent.

Rob is recognized as one of music’s most published photographers. He’s also Ringo Starr’s personal photographer. “Volume 1” is his first book of photographs and it features photos of such iconic musicians as Ringo Starr, Paul McCartney, Keith Richards, Eddie Van Halen, Joe Walsh, Christina Aguilera, Sheila E, Tommy Lee, Dave Navarro, and many more. It includes intimate shots of the musicians not only behind the scenes, but also in the studio, onstage and backstage as well. Along with the photos is a foreword by Ringo Starr, artist quotes, and personal anecdotes shared by Shanahan.

Rob has been getting a lot of good press about his book. Check out his interview on Good Day LA and slideshow at Spin Magazine.

My room is not only filled with memorabilia, it’s filled with books on Rock and Roll Photography.

Copyright Ken Regan. Keith Richards, San Antonio, 1975. (I own the guitar strap.)


Copyright Michael Putland. The Rolling Stones 1978. (I own the shirt Keith is wearing.)

Copyright Paul Natkin. Keith Richards portrait. (I own the attitude.)

Here’s a few other wonderful prints I own.
All I need is the room to hang them.
If I stop buying prints, I could maybe build an addition.

Enjoy.

I’d like to thank Buddy and Ringo the two that started this obsession.

About a year ago, the marketing communications company I work for Allen & Gerritsen, was contacted by a potential client to do some Audience Research, that client was Zildjian Cymbals.

Suffice to say a music junkie, hack drummer, a Ringo wannabee like myself was insanely excited about doing work, any work, for a brand like this.
A brand I’d had grown up with.
Those like me who for the first time saw Ringo Starr sitting behind his Ludwig kit on the Ed Sullivan show back in 1964, were watching him play Zildjian cymbals.
I was nine at the time.
The day after their performance on national television, Zildjian was back ordered 90,000 cymbals.

And so it began.

My birthday present.

A few years later I was fortunate enough to be sitting stage side with my parents, age 13, watching one of the greatest, if not THE greatest drummer that ever lived play live at the legendary Lennie’s On The Turnpike, Buddy Rich.
This was 1968, roughly 4 years after The Beatles now historical performance.
And yes, he was playing Zildjian cymbals too.

It was then I realized only the best, the greatest, play Zildjian.
Little did I know back then, this would never change.

This photo above is Buddy at Lennie’s. It may even be the show I was at. He played there a few times.

I took the program from that night up to him, ask him to sign it for me, he gave me that “Kid get the $*&# outta my way look”, but signed it anyway. He must have thought why the hell is this little kid here.
From what I remember, there weren’t too many 13 year olds in the audience.

I was in heaven.
He was my hero.
That signed program is long gone.
I recently bought myself this signed scrap of paper and some photos from a concert in Toronto back in 1971 for my collection.

Strange as a kid I was obsessed with what was then, and still now a big band jazz drummer like Buddy Rich.
My grandfather played the sax, loved big band music and jazz and would often play for me.
Maybe that’s where this connection to this kind of music came from.
But thinking back, it still seems kind of strange to me.

I eventually found out all my heroes played Zildjian cymbals.
Charlie Watts, Ginger Baker, Mitch Mitchell, some of the greatest drummers of our time and my life all played this brand.
And so I wanted to play them as well.
I took drum lessons for years, had recitals, my song was “Watermelon Man” by Herbie Hancock.
I eventually was able to play by ear, pick up the beat of a song by listening to it a few times, started my own band, jammed with friends through high school, but never became the drummer I wanted to be.
So I sold my drums, cymbals and all and headed off to art school in 1973.
Looking back, probably a smart move.

Here’s a drum head with the name of my high school band, Sponge Armor.
Recreated by my daughter, Alyssa.
Thanks pal.

Fast forward 37 years, and now this brand is back in my life.
Damn, it feels good.

But what makes this even better today, are the amazing people I’ve met at Zildjian over the course of this relationship.

Here’s a picture of Ringo’s concert used drumsticks from his Boston show.
A gift to me from John DeChristopher, Vice President Artist Relations & Event Marketing Worldwide at Zildjian.
Here he is with “you know who” the night of the show.

Doesn’t get any better than this does it?

The TAMI Show afterparty….Mick Jagger’s glass? Bill Wyman’s cigarette?

THE FOLLOWING ITEMS IN THIS POST ARE FOR SALE. Contact me at ggae55@gmail.com

L to R standing: Ron Armstrong, Bill Wyman, Keith Richards, Earl Steely (Misfits), Mick Jagger, Joey Paige (“Shindig” regular), Charlie Watts, Bob Mosley and Eddie Dunn (both Misfits).”“L to R kneeling: Joel Scott Hill, (later Canned Heat and Flying Burrito Brothers), unknown press photographer, Harold Kirby (Joel’s bassist, now deceased; by the way, Willie Kellogg played with Joel but was packing his drums).

On Nov. 1, 1964, the Rolling Stones, fresh off of taping “The T.A.M.I. Show” (where the upstart Brits were upstaged by James Brown), made their first San Diego appearance, at Balboa Bowl (now Starlight Bowl).
Also performing that night were locals Joel Scott Hill & the Invaders (also known as the Strangers), The Misfits and Rosie and the Originals. Downtown record-shop owner Danny Milsap, who promoted the concert, paid the Stones $400, he recalled in a 1998 retrospective in the San Diego Reader: “I remember paying Rosie and the Originals $500!”
Hitmaker (“Angel Baby”) and future Rock and Roll Hall of Famer Rosie Hamlin and company didn’t stick around for the backstage photo, but Misfits drummer Ron Armstrong identifies who did.

In honor of the release of The TAMI Show on DVD, some rare and never seen collectibles from the after party.
Mick Jagger’s glass scoffed up by this fan as well as a cigarette bummed from Bill Wyman.
Both labeled the night of the party by him packed away in a box and just recently unearthed and purchased by me. The letter from the original owner can be seen below.

I wonder how long DNA hangs around?

I should know having watched enough CSI and Law and Order
marathons with my girls.

The T.A.M.I. Show is a 1964 concert film, released by American International Pictures. It includes performances by numerous popular rock and roll and R&B musicians from the United States and England. It was shot with TV cameras by director Steve Binder and his crew from The Steve Allen Show, and was the second of a small handful of productions to be recorded in Electronovision – one of the first high-definition video cameras that captured somewhere between 1000-1100 lines at 25fps. Then, via kinescope recording, it was converted to film with sufficient enhanced resolution to allow big-screen enlargement.

The concert was held at the Santa Monica Civic Auditorium on October 28 and 29, 1964. Free tickets were distributed to local high school students. Jan and Dean emceed the event and performed its theme song, “Here They Come (From All Over the World)”. Jack Nitzsche was the show’s music director. The acronym “T.A.M.I.” was used inconsistently in the show’s publicity to mean both Teenage Awards Music International and Teen Age Music International. The best footage from each of the two concert dates was edited into the film, which was released on December 29, 1964.

The T.A.M.I. Show is particularly well known for James Brown’s performance, which features his legendary dance moves and remarkable energy. In interviews, Keith Richards of The Rolling Stones has claimed that choosing to follow Brown & The Famous Flames was the biggest mistake of their careers, because no matter how well they performed, they could not top him. In a web-published interview,

Binder takes credit for persuading the Stones to follow James Brown, and serve as the centerpiece for the grand finale where all the performers dance together onstage. In addition, throughout the film, were numerous go-go dancers in the background or beside the performers. Among them were a very young Toni Basil and Teri Garr. It also featured The Supremes performing three back-to-back #1 singles, signaling their reign as the most successful girl group of that era. Diana Ross would go on to work with the director Steve Binder on several of her television specials including her first solo television special and more importantly her iconic Central Park concert, Live from New York Worldwide: For One and for All.

http://en.wikipedia.org/wiki/The_T.A.M.I._Show

Read more: http://www.sdnn.com/sandiego/2009-12-03/concerts-music-clubs/misfits-rolling-stones-snapshot-provides-glimpse-into-san-diegos-rock-n-roll-roots#ixzz0j8AOxdsD

The film was shown unedited and in its entirety on cable television in Canada in 1984 (20th anniversary of its release), on the First Choice Network. However, there has never been an authorized home video release of the film in any format until the authorized DVD release in March 2010, though bootlegs have abounded. (A DVD release of the complete film by First Look Studios was planned for 2007, but subsequently withdrawn.) Also, because of a rights dispute, the footage of The Beach Boys’ performance was deleted from all prints made after the movie’s brief initial theatrical run, and is therefore absent from most of the bootlegs. All of the four Beach Boys tunes eventually surfaced on DVD in Sights and Sounds of Summer, a special CD/DVD edition of Sounds of Summer: The Very Best of The Beach Boys.

In 2006, The T.A.M.I. Show was named to the National Film Registry by the U.S. Library of Congress. Dick Clark Productions acquired ownership of the concert film. On March 23 2010, Shout! Factory released the full show on a restored, digitally remastered and fully authorized DVD.

A sequel, 1966′s The Big T.N.T. Show, was produced by the same executive producer, Henry G. Saperstein.

Here’s a rare ticket from that show both front and back.

Mick Jagger stands by himself while everyone rush the food table.

You’re no rock star, until they make you into a doll.

Too be immortalized in plastic with fake hair and a tiny replica guitar.
Isn’t that what every rock star dreams about?
To be cuddled by their fans in bed every night?
Seems like you don’t even have to be inducted into the Rock and roll Hall of Fame to have a miniature figure in a blister pack hanging in a hobby store these days.
Check out the McFarlane Toy line and others.
Joey Ramone, Sid Vicious, Jim Morrison, Jimi, Janis, you name it, there are figures galore.
They are truly amazing works of art.
Impeccable likenesses.
Detailed and adorned with love beads, guitar straps, amp cords and microphones so real looking you think you could sing into them.
Back in the day, like say the 60′s, well you were lucky if you could tell Paul from Ringo.
Well, maybe that’s a bit of a stretch.

Here’s a few pics of dolls from the 60′s unlicensed that are supposed to be the Stones. They were marketed under the “Play-Pal” name and have no markings relative to any of the Stones.

What do you think?

Charlie Watts?

Keith Richards???

Brian Jones?