Rolling Stones “50 Years of Satisfaction.” I have two days to take it all in. Day One.

Rolling Stones: 50 Years of Satisfaction will be the Museum’s first ever major exhibition capturing the band’s legendary career spanning more than 50 years.  It will include personal items and extraordinary collections that have never been seen before by the public. The exhibit will be open till March 2014.

“The Rolling Stones are the epitome of rock and roll,” said Greg Harris, president and CEO of the Rock and Roll Hall of Fame. “This first-ever exhibit gives us an opportunity to tell the story of one of the definitive rock and roll bands. The experience should be on every music fan’s destination list this summer.”

The Rock and Roll Hall of Fame and Museum presents Rolling Stones: 50 Years of Satisfaction will be a comprehensive retrospective exhibit that chronicles the band from the mid-1960s until today.  The exhibit, which takes up two-and-a-half floors of the Museum, will celebrate the Rolling Stones’ incredible contribution to popular music from their earliest days playing small clubs, to their era-defining recordings such as “Gimme Shelter,” “Paint It Black,” “Jumping Jack Flash,” “Tumbling Dice,” “It’s Only Rock And Roll” and sold-out global tours. Through the use of artifacts, film, text and interactive technology, generations of music fans will have the opportunity to get up close and personal with rare items from nearly every aspect of the Stones’ astonishing five decades at the top.

Throughout the exhibition’s run, the Museum will host a range of free public programs that explore the significance and legacy of the Rolling Stones, including interviews, films, and special lectures.

For the first time, the Rock and Roll Hall of Fame and Museum will launch a fan-generated interactive exhibition, inviting people from all over the world to share their photos of memorabilia, artwork, Rolling Stones concerts and more that will populate a multimedia display in the Museum’s Rolling Stones exhibit as well as online.

Fans are encouraged to upload their original images to Twitter and Instagram with the hashtag #rockhallsatisfaction to contribute to the submission feed. Images uploaded will be available to be viewed in the exhibit as well as online through the Rock and Roll Hall of Fame and Museum’s Facebook page throughout the duration of the exhibit!

……..I had no idea of what to expect when I showed up to see the new Stones exhibit.

I had never been to the Rock and Roll Hall of Fame.

I had never even been to Cleveland.

For a rock and roll memorabilia junkie like me, it was the “Stairway To Heaven.” I must admit it was a bit overwhelming. You need a solid two days. Maybe three to take it all in. I was able to do the Stones exhibit in about 3 hours and I feel like I saw it all.

You enter the exhibit by walking up a staircase, where you enter the exhibit through a giant lips and tongue.

It was kind of a shock to see my name on the exhibition display thanking the supporters. Wait is that Mick Jagger, Keith Richards, Ronnie Wood and Charlie Watts on there?

The bottom floor was dedicated to the early years. And I mean early….The collection was mind blowing. The artifacts were grouped by era. Large plexiglass displays with early posters and handbills that serve as the backdrop to the rarities, that held several and sometimes dozens of pieces of memorabilia. Here’s a few photos.

Everybody knows this baby, Brian’s Teardrop….

Keith’s “High Tide and Green Grass” leather jacket.

What’s crazy is that some of this stuff exists. You wonder first, who the hell does it belong to, (which of course is labeled for all to see,) but then, how the hell did it survive?

I can’t say enough about the displays. They were beautifully designed and conceived. Bravo Howard and Company!

One of the highlights for me was seeing Mick’s Jumpsuit from the 1972 tour, designed by Ossie Clark. Donated by guess who, yup, Mick himself.

Let’s head upstairs….

Upstairs has displays on the years 1973-2006, The Bigger Bang Tour.

This is the floor where all my items were displayed. The above item is killer. The original art for the “It’s Only Rock And Roll” album cover by Guy Peelaert, 1974.

My Keith Richards Bobby Lee guitar strap from the Tour of the Americas, 1975 was in a display with the famous Charlie Watts mariachi shirt from the same tour.

Next, I found my Keith Richards leather jacket, “Tattoo You” marketing notes, and single picks for “Tattoo You,” all written by Mick…1981.

Here’s my Keith linen pirate shirt in the 1978 “Some Girls” era display.

And a few more. My Mick handwritten rehearsal set list for the secret Sir Morgan’s Cove show in 1981, and Cockroaches ticket for the show on Blue Sunday.

The Hall of Fame knows how to do it right.

They ask for only scans and copies of all rare handwritten items and labeled them on the displays as reproductions. The originals safely in the hands of the owners.

I will post a Day Two with more photos soon….

Peace,

Gary Rocks

Rare Love You Live record store display. Only two known to exist.

I have been fortunate to have just picked up this rarity. To the best of my knowledge, I am aware of only two that exist. And it took a bite out of my wallet.

Ok, enough with the bad puns….

This record store display promotes the Stones 1977 live album, “Love You Live.” Artwork by the famed pop artist Andy Warhol. Stones collectors are more than familiar with this album and the promotional items produced for it. They are some of the most sought after collectibles ever produced by the Stones. They also have a strong cross over interest to Warhol and pop art collectors as well.

It is well know Warhol was less than pleased with how Mick and the Stones used his art in designing the materials to promote the album.

He in fact has stated publicly he hates Mick’s handwritten treatment of “Love You Live” that appears as the typography on the cover design. As he puts it, ruining the beautiful image and art he created.

This display holds an actual album that sits and is help supported by Mick’s teeth. The “biting” was a theme that was used in all the materials Warhol designed.

Here are a few other items that shows Andy’s obsession with teeth…

Andy and Mick hanging out at the release party for the album at Trax in NYC in 1977. The album Mick is holding is my signed album from the Art Collins collection. Art is standing in the background patiently waiting for the photographer to snap the picture, so he can get his album back.

The album.

Happy Hunting.

Gary Rocks.

Rare original art produced for a billboard promoting The Rolling Stones Let It Bleed found.

The Rolling Stones are certainly not strangers when it comes to the art of self promotion.

They rule. Plain and simple.

There has been no other band in the history of rock n’ roll that knows how to stir up controversy and buzz over what they are doing or about to do, better than Mick and company.

And Sunset Blvd in LA is where we saw a lot of their ideas come to life.

Shown here are several examples of billboard advertising, an all but dying medium these days, where the Stones strutted their stuff.

Usually the Stones used billboard advertising to promote a new album.

The LA scene is where you can find about every artist during the 70′s and 80′s using this larger than life opportunity to deliver their message.

And as we know the Stones didn’t shy away from imagery that would infuriate and disturb anyone who looked at it. The infamous “Black and Blue” board whose image of a bound and beaten woman eventually had to be pulled down.

Even in announcing their upcoming “50 And Counting” tour, the Stones took to the streets to create anticipation and buzz around the announcement.

The above original art was recently found looks to be created to promote the Stones new London album “Let It Bleed.” It is unknown if in fact the art was ever used or made it’s way to a billboard. This is first major introduction of Mick Taylor as well.

As you can see from the recognizable clothing, Mick is his iconic omega shirt and scarf, this is clearly from the 1969 Ya Ya’s period.

I’m thrilled to now own this incredible never before seen rarity, coming from my good friend Jeff Gold of Recordmecca.

Thanks Jeff.

This one is a keeper.

Happy Hunting.

Gary Rocks

“Reckless Road” by Marc Canter. Not a book about Guns N’ Roses, but a book about a deep friendship.

Reckless Road by Marc Canter is a visual documentary of the making of the best selling debut album of all time Appetite For Destruction released in July of 1987 by Guns N’ Roses. Reckless Road is the only book ever released authorized by all 5 original members of Guns N’ Roses: Steven Adler, Izzy Stradlin, Duff McKagan, Slash and Axl Rose.

The author, Marc Canter, is a third generation owner of the landmark Canter’s Deli in the Fairfax District. Canter’s, originally in Boyle Heights, moved to the Fairfax District after World War 2, converting a Yiddish movie theater into a delicatessen. In the 1960′s, an adjacent area became the infamous Kibitz Room where The Doors, Frank Zappa, Joni Mitchell and in later years Guns N’ Roses played. Canters Deli was bestowed a Historical Landmark by the city of Los Angeles.

Before Marc was to take the helm of the family business at Canter’s, Marc, as a young kid, becomes an avid collector of sports cards and signed memorabilia. Later, as a teenager, his sports obsession turns to music. When Marc entered the 5th grade, he met and became friends with a shy, multi-racial classmate from England named Saul Hudson who went by the nickname of Slash. Like Marc, who was deeply rooted in the family business and the surrounding culture so too is Slash. Slash’s family is deeply rooted in the arts and its surrounding culture. His father was an album cover designer and mom was a renowned fashion designer. At 14, Slash’s maternal grandmother, an artist as well, gave him his first guitar. The life long friendship between Marc and Slash is based on this similarity, but above all, it is the shared love of music.

Throughout their teenage years, Slash joined many bands. In 1985, along with Axl Rose, he created Guns N’ Roses, and Marc is right there capturing every moment with his camera. He attends every rehearsal, gig and band meeting. During this time, money was scarce for Slash and his bandmates. The costs to play and promote a band in clubs are high. Often times, Marc would step in and buy unsold tickets to please the promoters, print flyers needed to advertise a gig and even feed them a meal at Canter’s. It is common knowledge, if it were not for Marc Canter, Guns N’ Roses might have never existed or would have faded into oblivious like so many others. Marc is considered the unseen 6th member of Guns N’ Roses. Slash describes Marc as his best friend and the only person who has remained constant in his life.

As seen in Reckless Road, Marc’s hobbies of photography and collecting memorabilia have served him well. He has amassed one of the biggest rock n’ roll memorabilia collections of its kind. Along with the photographs of the band, Marc includes pictures of the unique memorabilia and is one of the highlights the book.  Reckless Road is narrated by interviews of the people who were closest to Guns N’ Roses and tells many of the infamous stories of the band firsthand.

The stories are all true and are meticulously documented. The photos are vast and every picture tells a story. It is a must read, not just for Guns N’ Roses fans, but for anybody who enjoys a great story, amazing photos, who root for the underdog or just want a voyeuristic glimpse into the underworld of the gritty 1980′s Hollywood music scene.

Reckless Road is not another biography of a band. It is chronological uprise of one of biggest and most controversial bands of all time told by insiders. Winner of the 2008 Best Pop Culture Book by the Independent Publishers Association, Reckless Road has been called by critics and fans as definitive, unique, raw and honest.

This piece was written by Patricia Degen, Writer/Agent.

Taken at Marc’s wedding.

Slash:

“Marc’s my best friend and one of the only good friends that is consistent in my life. There isn’t a better person to actually release any material having to do with the coming together and history of Gun’s N’ Roses, Where it went and what was going on behind the scenes.”

Duff McKagan:

“When Gun’s N’ Roses formed, Marc became like the sixth guy in the band. He believed in us from the beginning and had a much broader view of what the band was about than even we had. He documented the whole thing tirelessly.”

I’ve been a rock n’ roll fanatic since the age of 10.

I’m a rabid Stones, Aerosmith, GNR fan… to name a few.

I must have literally hundreds of book on these bands and others. Stacked on the floor 5 feet high in my study. I need a bookcase. Seriously.

I will say Reckless Road is by far one of, if not THE best book ever done on a band. Period.

I don’t care whether you like Guns N’ Roses.

I don’t care if you’ve ever bought any of their albums.

I don’t care if you’ve never seen them in concert.

You must buy this book. It’s beautifully written and exquisitely designed. The passion and love Marc has put into this book pours out of every page, every never before seen photo, every never heard before story. The memorabilia is mind blowing.

I own this wonderful print from the book I bought from Marc.

Marc believed so deeply in this band, he could only be described as a visionary.

This is a must own book. Stop reading this post and go buy it. Or go buy a print from the book.

Thank you Marc. This book is a treasure.

Check out the trailer. http://marccanter.com/trailer.html

RN’FR.

Gary Rocks

 

….Off we go to the Rock And Roll Hall of Fame for the “Rolling Stones: 50 Years Of Satisfaction” exhibit.

Suffice to say when THE Rock And Roll Hall Of Fame called me and asked if I’d be interested in putting some of my collection on loan for the upcoming “Rolling Stones: 50 Years of Satisfaction” exhibit, I was freakin’ blown away.

Let me think about it….Aaaaaah, YES! YES! YES!

So, off I went to pack up and say goodbye to my babies for the next two years. I mean seriously, how do you say no to this???

Sniff, sniff….separation anxiety is beginning to set in.

“Bye, bye kids….Call me every once in awhile and let me know you’re okay.”

“Okay?”

Rolling Stones: 50 Years of Satisfaction will be the Museum’s first ever major exhibition capturing the band’s legendary career spanning more than 50 years.  It will include personal items and extraordinary collections that have never been seen before by the public. The exhibit will be open till March 2014.

“The Rolling Stones are the epitome of rock and roll,” said Greg Harris, president and CEO of the Rock and Roll Hall of Fame. “This first-ever exhibit gives us an opportunity to tell the story of one of the definitive rock and roll bands. The experience should be on every music fan’s destination list this summer.”

The Rock and Roll Hall of Fame and Museum presents Rolling Stones: 50 Years of Satisfaction will be a comprehensive retrospective exhibit that chronicles the band from the mid-1960s until today.  The exhibit, which takes up two-and-a-half floors of the Museum, will celebrate the Rolling Stones’ incredible contribution to popular music from their earliest days playing small clubs, to their era-defining recordings such as “Gimme Shelter,” “Paint It Black,” “Jumping Jack Flash,” “Tumbling Dice,” “It’s Only Rock And Roll” and sold-out global tours. Through the use of artifacts, film, text and interactive technology, generations of music fans will have the opportunity to get up close and personal with rare items from nearly every aspect of the Stones’ astonishing five decades at the top.

Throughout the exhibition’s run, the Museum will host a range of free public programs that explore the significance and legacy of the Rolling Stones, including interviews, films, and special lectures.

http://rockhall.com/exhibits/rolling-stones-50-years-of-satisfaction/

These are the hand picked pieces from my collection the Hall Of Fame chose to exhibit and that will be traveling around the country.

Mick’s handwritten marketing notes for “Tattoo You.”

Keith’s Bobby Lee guitar strap used during The 1975 “Tour Of The Americas.”

Keith’s linen pirate shirt worn on tour during the mid 70′s and in the “Respectable” video.

Keith’s leopard lined leather jacket from the 70′s.

Cockroaches t-shirt and stub from the Stones secret gig at Sir Morgan’s Cove in 1981.

Mick’s handwritten selections for singles from “Tattoo You.”

Mick’s handwritten rehearsal set list for the Sir Morgan’s Cove show.

and the letter back….. pretty cool.

The Rolling Stones autographs. The “real deals” are there, you just have to do your homework.

Probably the one question I’m asked constantly by those who know I collect or have seen my collection is, “How do you know it’s real?”
My answer is usually, “I just know.”
As easy as that sounds, it’s not that easy.
But with a little work you will know, and you can protect yourself and your collection.

Start with the simple notion that 95% of autographs sold on eBay and through memorabilia sites are fakes.
Yup, 95%.
Why is that?
Easy.
These alleged reputable dealers are looking for people who don’t know what they’re are looking at.
People that want to believe at that price, it’s too good to be true.
Want to believe that the dealer is reputable.
And to borrow a quote, “There’s a sucker born every minute.”

Check out this link to find out who really said this.

http://www.historybuff.com/library/refbarnum.html

So how do you know if a set of signatures you’re buying is fake?
If there’s a certificate of authenticity offered, it’s fake.

Any a-hole can print up a impressive looking “certificate”, sign it, offer a lifetime guarantee, and sell pretty much anything.
People think this is their protection.
Sorry, it don’t mean shit.
You need to know your stuff. Buy from the right people. Get knowledgeable.
Read up.
Study.
It’s work.
But like anything else, you want to make good decisions, you do your homework.
I own many signed Stones items.
Frankly it’s easier to buy a legit set of vintage autographs from the Brian Jones era, than a set from today.

Begin at the beginning.
Familiarize yourself with the earliest signatures of the band.
What did they sign like in the 60′s say. Gather images you find online and through eBay and compare them.
Try to think of the circumstances in which they might have signed these items, how much time they had, what they were signing. A card, paper, magazine.
All bands in the 60′s signed in ballpoint pen.
There were no sharpies.
Study how their styles changed throughout the years.
Usually over the years, not unlike us all, our signatures deteriorate and get sloppy.
We get lazy.
No different for rock stars.
Look at Charlie Watts today, barely understandable or readable.
A large C and B.
Stands for “Charlie Boy”, the way he used to originally sign his name back in the 60′s.
A signature reduced to letters.

I found on eBay a year or so ago a signed album.
It was a “Get your Ya Ya’s Out,” signed by all the original Stones, including Brian Jones.
The album as recorded in 1969 and released in September of 1970.
See where I’m going with this?
How could this be signed by Brian Jones if he died in July of 69 and the album was released in 1970?
This is the kind of crap that goes on all the time.

Of course it came with a certificate of authenticity.

Buy from reputable dealers. If you do your homework and ask around you can find them.
I buy from Recordmecca in LA, and Tracks in the UK.
These guys know their shit.
They give a lifetime guarantee and it means something.

Some examples I own are shown here. Bought from the dealers listed above.

Beautiful exmaple from Recordmecca

1966 The Rolling Stones Tour of Britain. And another great signed program.

The Rolling Stones‘ 1966 British Tour was a concert tour by the band. The tour commenced on September 23 and concluded on October 9, 1966.

I’ve been fortunate to have been able to pick up my second signed program from the 1966 tour, the first being the American tour seen below.

The newest is from the 1966 British tour with a beautiful clean set of signatures on the “A Biography By Charlie Watts” page inside the program. Artwork by of course, Charlie Watts.

I usually end up buying another program to frame up with the one I have signed. I was attracted to this set and example because of the page they decided to sign on. The signatures are large and super clean.

It’s hard to find items from the early days signed on white background, lighter paper or album. Most of the Stones early album covers were all pretty much dark and black making it difficult for them to sign in pen on the covers. It was also hard to sign over the dark photos.

So most of the early signed Stones albums you see are usually signed on the back.

Depending on much text was on the reverse of the album, usually a lot, will often effects how appealing the signatures are and how clean they appear to be. This can also be a huge factor in determining value. It’s why signed albums are the most rare of all signed items. Really great ones are just super hard to find.

Remember, there were no sharpies in the 60′s.

Peace and happy hunting.

Gary Rocks

Right now, Slash is probably wearing a t-shirt that’s going to piss someone off.

There’s is actually a blog dedicated to Slash’s fine collection of vintage offensive t-shirts.

http://fuckyeahslashshirts.tumblr.com/

Check it out. Pretty funny….

I have always been interested in collecting artist and stage worn clothing. Recently I was fortunate to be able to buy two of Slash’s t-shirts. Both were part of the sale of his incredible personal collection that went up for auction at Julien’s in Los Angeles back in 2011.

http://www.juliensauctions.com/auctions/2011/slash/index.html

There were literally hundreds of t-shirts in this auction. Not sure where I was, or what I was into at the time, but I missed this amazing opportunity.

Luckily, I found someone who was there and bought plenty.

The t-shirt pictured above is one of my recent buys. It has solid photo reference from the “Use Your Illusion” tour book, shot by tour and well known GNR photographer and historian, Robert John. It’s also signed by Slash.

This next shirt has plenty of photo reference, as well as being one of Slash’s favorite bands, Metallica. He owned several Metallica shirts that can all be seen in the auction catalog. This one got plenty of stage time. It has faded from a dark black to a soft, well worn grey.

Their logo as well as the line “Metal Up Your Ass” is sprawled across the chest of this now infamous shirt. Slash liked cutting the collar and sleeves off his  t’s.

I was able to track down rock icon photographer Paul Natkin, who shot this show and had tons of photos for me to choose from. It was The Monsters Of Rock show I believe.

It doesn’t hurt when the photos are published as well. This shirt was seen on the cover of Revolver Magazine’s Legends issue. These early shots by Paul have been seen in various music and metal magazines as pin ups and posters as well.

A picture of slash wearing his “High On Life And Glue!” shirt before he hacked the crap out of it.

In the first photo Slash can be seen in the studio wearing his “Chicks In Chains” t-shirt. This photo was the inside spread of the Julien’s auction catalog. The second photo spread is from a Japanese music magazine.

So remember, a picture is worth a thousand…..dollars.

Maybe more.

Peace.

Gary Rocks

The greatest Stones album ever, Exile on Main Street and the 1972 tour. And the rarest of all Stones memorabilia.

Exile on Main Street was a 1972 release (on Atlantic Records) by The Rolling Stones, with cover artwork & design by John Van Hamersveld. When the Rolling Stones released Exile in 1972 – a double album of songs representing the many different genres of music that shaped Stones music at the time – fans and critics found themselves having to spend a lot of time trying to “get it”. It required a number of listens to gain an appreciation of what, on the surface, often seemed to be a collection of studio out-takes and Richards/Taylor/Watts jams than a freshly-recorded musical offering.

Super rare promo poster featuring 3-Ball Charlie.

Rare Exile record store display.

Many critics of the era failed to appreciate the Stones’ explorations of R&B, Soul, Country and roots Rock that were spread over the 4 album sides. In fact, the record was comprised of a series of recordings done during the previous four years and, as such, they featured a variety of mixes (some better than others) and showed the band building on top of these influences in their own inimitable style to the point that, now over 35 years later, the package is considered by many to be the band’s most-authentic offering. It is always listed near the top of most of the “Best Of” and “Greatest” lists (#7 on the Rolling Stone Magazine 2003 list of the “500 Greatest Albums of All Time”, #22 on VH-1’s survey, and even impressed the younger generation enough to be ranked #11 on Pitchfork’s 2003 list of Best Albums of the 1970s).

In a similar fashion, when the buying public took their first look at the design and imagery of the sprawling record cover, most people admitted that they didn’t “get it”. Having just soaked in Warhol’s ultimately-iconic zipper cover for Sticky Fingers, fans should have been ready for anything, but John Van Hamersveld’s designs seemed to confound them, asking them to digest a rough, anti-establishment, punk-before-there-was-punk collage of images that may have, initially, combined with the unfamiliar musical stylings to impact sales (don’t worry, as the record was supported by the now-famous 1972 American concert tour and songs such as “Happy” and “Tumbling Dice” got some significant radio play, the record went on to top the charts in the U.S. and the U.K.).

And so when Van Hamersveld, who’d established his industry cred via his poster and package designs for Hendrix, The Beatles (Magical Mystery Tour), Jefferson Airplane (Crown of Creation) and others, was approached by the Rolling Stones (who were in a studio in LA putting the finishing touches on this new album) to work on the graphics and packaging for a songbook project the band wanted to release, an interesting series of events on the day of their initial meeting had a profound impact on the course of album art history.

Below is a rare printers proof of the 12 card set included in Exile double album, shot by famed South African photographer, Norman Seeff. Here he writes a note on the reverse of the card set to John Van H. expressing his displeasure with the quality of the reproduction.

The next two items might be two of my favorite Exile period pieces. Flyers for the lost live album. You can see the proposed design above.

These are two unused flyers of both Mick and Stevie Wonder printed on newsprint. The art is beautiful art deco 1920′s style.

Keith Richards and Ronnie Wood’s other band.

Here is a rare group of very hard to find New Barbarians memorabilia from my collection. Included is various Crew, Guest and VIP backstage passes and laminates with artwork by Ronnie Wood himself.

Included in this rare lot is paperwork from a huge PR file on the band that documents the various press interviews and the band’s itinerary during the tour.

Here’s a little background on the band.

The New Barbarians played two concerts in Canada and eighteen shows across the United States in April and May 1979; in August 1979, the band also supported Led Zeppelin at the Knebworth Festival 1979.

The group was formed and led by Rolling Stones and Faces guitarist Ronnie Wood, primarily to promote his latest LP Gimme Some Neck. The line-up included Rolling Stones member Keith Richards, bassist Stanley Clarke, former Faces keyboardist Ian McLagan, Rolling Stones confederate and saxophonist Bobby Keys and drummer Joseph Zigaboo Modeliste of The Meters. For the Knebworth show Clarke was replaced on short notice by bassist Phillip Chen, who had to learn all the songs in one day.

The band played a mix of classic rock & roll, R&B, blues and country music, along with Ron Wood solo material and Jagger/Richards songs. Wood sang lead on most numbers (with Richards, McLagan and Clarke providing back-up vocals), as well as playing guitar, pedal steel, harmonica and saxophone.

The New Barbarians debuted as the Rolling Stones’ support act at two charity concerts to benefit the CNIB at the Oshawa Civic Auditorium near Toronto, Ontario on 22 April 1979, fulfilling one of the conditions of Richards’ 1978 sentence for possession of heroin. The band’s eighteen-gig US tour followed. They made news in Milwaukee, Wisconsin when fans rioted, apparently due to their expectation that the show would feature “special guests”, who did not appear.Another line-up of the New Barbarians – with Andy Newmark, Reggie McBride, MacKenzie Phillips and Johnnie Lee Schell replacing Clarke, Modeliste and Richards – played a “make-up date” in Milwaukee in January 1980 to help the promoter recoup the cost of the damages caused by the riot.

In October 2006 Ronnie Wood’s record label, Wooden Records, released a two-disc CD (followed a few months later by a triple LP set) of a New Barbarians concert at the (now former) Capital Center Arena in Largo, Maryland, entitled Buried Alive: Live in Maryland.