Rolling Stones “50 Years of Satisfaction.” I have two days to take it all in. Day One.

Rolling Stones: 50 Years of Satisfaction will be the Museum’s first ever major exhibition capturing the band’s legendary career spanning more than 50 years.  It will include personal items and extraordinary collections that have never been seen before by the public. The exhibit will be open till March 2014.

“The Rolling Stones are the epitome of rock and roll,” said Greg Harris, president and CEO of the Rock and Roll Hall of Fame. “This first-ever exhibit gives us an opportunity to tell the story of one of the definitive rock and roll bands. The experience should be on every music fan’s destination list this summer.”

The Rock and Roll Hall of Fame and Museum presents Rolling Stones: 50 Years of Satisfaction will be a comprehensive retrospective exhibit that chronicles the band from the mid-1960s until today.  The exhibit, which takes up two-and-a-half floors of the Museum, will celebrate the Rolling Stones’ incredible contribution to popular music from their earliest days playing small clubs, to their era-defining recordings such as “Gimme Shelter,” “Paint It Black,” “Jumping Jack Flash,” “Tumbling Dice,” “It’s Only Rock And Roll” and sold-out global tours. Through the use of artifacts, film, text and interactive technology, generations of music fans will have the opportunity to get up close and personal with rare items from nearly every aspect of the Stones’ astonishing five decades at the top.

Throughout the exhibition’s run, the Museum will host a range of free public programs that explore the significance and legacy of the Rolling Stones, including interviews, films, and special lectures.

For the first time, the Rock and Roll Hall of Fame and Museum will launch a fan-generated interactive exhibition, inviting people from all over the world to share their photos of memorabilia, artwork, Rolling Stones concerts and more that will populate a multimedia display in the Museum’s Rolling Stones exhibit as well as online.

Fans are encouraged to upload their original images to Twitter and Instagram with the hashtag #rockhallsatisfaction to contribute to the submission feed. Images uploaded will be available to be viewed in the exhibit as well as online through the Rock and Roll Hall of Fame and Museum’s Facebook page throughout the duration of the exhibit!

……..I had no idea of what to expect when I showed up to see the new Stones exhibit.

I had never been to the Rock and Roll Hall of Fame.

I had never even been to Cleveland.

For a rock and roll memorabilia junkie like me, it was the “Stairway To Heaven.” I must admit it was a bit overwhelming. You need a solid two days. Maybe three to take it all in. I was able to do the Stones exhibit in about 3 hours and I feel like I saw it all.

You enter the exhibit by walking up a staircase, where you enter the exhibit through a giant lips and tongue.

It was kind of a shock to see my name on the exhibition display thanking the supporters. Wait is that Mick Jagger, Keith Richards, Ronnie Wood and Charlie Watts on there?

The bottom floor was dedicated to the early years. And I mean early….The collection was mind blowing. The artifacts were grouped by era. Large plexiglass displays with early posters and handbills that serve as the backdrop to the rarities, that held several and sometimes dozens of pieces of memorabilia. Here’s a few photos.

Everybody knows this baby, Brian’s Teardrop….

Keith’s “High Tide and Green Grass” leather jacket.

What’s crazy is that some of this stuff exists. You wonder first, who the hell does it belong to, (which of course is labeled for all to see,) but then, how the hell did it survive?

I can’t say enough about the displays. They were beautifully designed and conceived. Bravo Howard and Company!

One of the highlights for me was seeing Mick’s Jumpsuit from the 1972 tour, designed by Ossie Clark. Donated by guess who, yup, Mick himself.

Let’s head upstairs….

Upstairs has displays on the years 1973-2006, The Bigger Bang Tour.

This is the floor where all my items were displayed. The above item is killer. The original art for the “It’s Only Rock And Roll” album cover by Guy Peelaert, 1974.

My Keith Richards Bobby Lee guitar strap from the Tour of the Americas, 1975 was in a display with the famous Charlie Watts mariachi shirt from the same tour.

Next, I found my Keith Richards leather jacket, “Tattoo You” marketing notes, and single picks for “Tattoo You,” all written by Mick…1981.

Here’s my Keith linen pirate shirt in the 1978 “Some Girls” era display.

And a few more. My Mick handwritten rehearsal set list for the secret Sir Morgan’s Cove show in 1981, and Cockroaches ticket for the show on Blue Sunday.

The Hall of Fame knows how to do it right.

They ask for only scans and copies of all rare handwritten items and labeled them on the displays as reproductions. The originals safely in the hands of the owners.

I will post a Day Two with more photos soon….

Peace,

Gary Rocks

Rare original art produced for a billboard promoting The Rolling Stones Let It Bleed found.

The Rolling Stones are certainly not strangers when it comes to the art of self promotion.

They rule. Plain and simple.

There has been no other band in the history of rock n’ roll that knows how to stir up controversy and buzz over what they are doing or about to do, better than Mick and company.

And Sunset Blvd in LA is where we saw a lot of their ideas come to life.

Shown here are several examples of billboard advertising, an all but dying medium these days, where the Stones strutted their stuff.

Usually the Stones used billboard advertising to promote a new album.

The LA scene is where you can find about every artist during the 70′s and 80′s using this larger than life opportunity to deliver their message.

And as we know the Stones didn’t shy away from imagery that would infuriate and disturb anyone who looked at it. The infamous “Black and Blue” board whose image of a bound and beaten woman eventually had to be pulled down.

Even in announcing their upcoming “50 And Counting” tour, the Stones took to the streets to create anticipation and buzz around the announcement.

The above original art was recently found looks to be created to promote the Stones new London album “Let It Bleed.” It is unknown if in fact the art was ever used or made it’s way to a billboard. This is first major introduction of Mick Taylor as well.

As you can see from the recognizable clothing, Mick is his iconic omega shirt and scarf, this is clearly from the 1969 Ya Ya’s period.

I’m thrilled to now own this incredible never before seen rarity, coming from my good friend Jeff Gold of Recordmecca.

Thanks Jeff.

This one is a keeper.

Happy Hunting.

Gary Rocks

….Off we go to the Rock And Roll Hall of Fame for the “Rolling Stones: 50 Years Of Satisfaction” exhibit.

Suffice to say when THE Rock And Roll Hall Of Fame called me and asked if I’d be interested in putting some of my collection on loan for the upcoming “Rolling Stones: 50 Years of Satisfaction” exhibit, I was freakin’ blown away.

Let me think about it….Aaaaaah, YES! YES! YES!

So, off I went to pack up and say goodbye to my babies for the next two years. I mean seriously, how do you say no to this???

Sniff, sniff….separation anxiety is beginning to set in.

“Bye, bye kids….Call me every once in awhile and let me know you’re okay.”

“Okay?”

Rolling Stones: 50 Years of Satisfaction will be the Museum’s first ever major exhibition capturing the band’s legendary career spanning more than 50 years.  It will include personal items and extraordinary collections that have never been seen before by the public. The exhibit will be open till March 2014.

“The Rolling Stones are the epitome of rock and roll,” said Greg Harris, president and CEO of the Rock and Roll Hall of Fame. “This first-ever exhibit gives us an opportunity to tell the story of one of the definitive rock and roll bands. The experience should be on every music fan’s destination list this summer.”

The Rock and Roll Hall of Fame and Museum presents Rolling Stones: 50 Years of Satisfaction will be a comprehensive retrospective exhibit that chronicles the band from the mid-1960s until today.  The exhibit, which takes up two-and-a-half floors of the Museum, will celebrate the Rolling Stones’ incredible contribution to popular music from their earliest days playing small clubs, to their era-defining recordings such as “Gimme Shelter,” “Paint It Black,” “Jumping Jack Flash,” “Tumbling Dice,” “It’s Only Rock And Roll” and sold-out global tours. Through the use of artifacts, film, text and interactive technology, generations of music fans will have the opportunity to get up close and personal with rare items from nearly every aspect of the Stones’ astonishing five decades at the top.

Throughout the exhibition’s run, the Museum will host a range of free public programs that explore the significance and legacy of the Rolling Stones, including interviews, films, and special lectures.

http://rockhall.com/exhibits/rolling-stones-50-years-of-satisfaction/

These are the hand picked pieces from my collection the Hall Of Fame chose to exhibit and that will be traveling around the country.

Mick’s handwritten marketing notes for “Tattoo You.”

Keith’s Bobby Lee guitar strap used during The 1975 “Tour Of The Americas.”

Keith’s linen pirate shirt worn on tour during the mid 70′s and in the “Respectable” video.

Keith’s leopard lined leather jacket from the 70′s.

Cockroaches t-shirt and stub from the Stones secret gig at Sir Morgan’s Cove in 1981.

Mick’s handwritten selections for singles from “Tattoo You.”

Mick’s handwritten rehearsal set list for the Sir Morgan’s Cove show.

and the letter back….. pretty cool.

The Rolling Stones autographs. The “real deals” are there, you just have to do your homework.

Probably the one question I’m asked constantly by those who know I collect or have seen my collection is, “How do you know it’s real?”
My answer is usually, “I just know.”
As easy as that sounds, it’s not that easy.
But with a little work you will know, and you can protect yourself and your collection.

Start with the simple notion that 95% of autographs sold on eBay and through memorabilia sites are fakes.
Yup, 95%.
Why is that?
Easy.
These alleged reputable dealers are looking for people who don’t know what they’re are looking at.
People that want to believe at that price, it’s too good to be true.
Want to believe that the dealer is reputable.
And to borrow a quote, “There’s a sucker born every minute.”

Check out this link to find out who really said this.

http://www.historybuff.com/library/refbarnum.html

So how do you know if a set of signatures you’re buying is fake?
If there’s a certificate of authenticity offered, it’s fake.

Any a-hole can print up a impressive looking “certificate”, sign it, offer a lifetime guarantee, and sell pretty much anything.
People think this is their protection.
Sorry, it don’t mean shit.
You need to know your stuff. Buy from the right people. Get knowledgeable.
Read up.
Study.
It’s work.
But like anything else, you want to make good decisions, you do your homework.
I own many signed Stones items.
Frankly it’s easier to buy a legit set of vintage autographs from the Brian Jones era, than a set from today.

Begin at the beginning.
Familiarize yourself with the earliest signatures of the band.
What did they sign like in the 60′s say. Gather images you find online and through eBay and compare them.
Try to think of the circumstances in which they might have signed these items, how much time they had, what they were signing. A card, paper, magazine.
All bands in the 60′s signed in ballpoint pen.
There were no sharpies.
Study how their styles changed throughout the years.
Usually over the years, not unlike us all, our signatures deteriorate and get sloppy.
We get lazy.
No different for rock stars.
Look at Charlie Watts today, barely understandable or readable.
A large C and B.
Stands for “Charlie Boy”, the way he used to originally sign his name back in the 60′s.
A signature reduced to letters.

I found on eBay a year or so ago a signed album.
It was a “Get your Ya Ya’s Out,” signed by all the original Stones, including Brian Jones.
The album as recorded in 1969 and released in September of 1970.
See where I’m going with this?
How could this be signed by Brian Jones if he died in July of 69 and the album was released in 1970?
This is the kind of crap that goes on all the time.

Of course it came with a certificate of authenticity.

Buy from reputable dealers. If you do your homework and ask around you can find them.
I buy from Recordmecca in LA, and Tracks in the UK.
These guys know their shit.
They give a lifetime guarantee and it means something.

Some examples I own are shown here. Bought from the dealers listed above.

Beautiful exmaple from Recordmecca

1966 The Rolling Stones Tour of Britain. And another great signed program.

The Rolling Stones‘ 1966 British Tour was a concert tour by the band. The tour commenced on September 23 and concluded on October 9, 1966.

I’ve been fortunate to have been able to pick up my second signed program from the 1966 tour, the first being the American tour seen below.

The newest is from the 1966 British tour with a beautiful clean set of signatures on the “A Biography By Charlie Watts” page inside the program. Artwork by of course, Charlie Watts.

I usually end up buying another program to frame up with the one I have signed. I was attracted to this set and example because of the page they decided to sign on. The signatures are large and super clean.

It’s hard to find items from the early days signed on white background, lighter paper or album. Most of the Stones early album covers were all pretty much dark and black making it difficult for them to sign in pen on the covers. It was also hard to sign over the dark photos.

So most of the early signed Stones albums you see are usually signed on the back.

Depending on much text was on the reverse of the album, usually a lot, will often effects how appealing the signatures are and how clean they appear to be. This can also be a huge factor in determining value. It’s why signed albums are the most rare of all signed items. Really great ones are just super hard to find.

Remember, there were no sharpies in the 60′s.

Peace and happy hunting.

Gary Rocks

“Welcome To My Jungle.” Some rare Guns N’ Roses memorabilia.

I’ve been fortunate in my years in advertising to have met some pretty cool people.

Like say, Slash for instance.
I’ve always been a HUGE Guns N’ Roses and Slash fan.
Their critically acclaimed debut album “Appetite for Destruction” is still one of my top five favorite rock albums.
Most if not all critics agree it set the bar for heavy metal rock in the 80′s.

I just finished up a TV campaign for the L.A. Zoo promoting a new exhibit called The Lair in which Slash and the venerable wise cracking octogenarian, Betty White starred.
We shot 5 different TV spots over the course of a day at the zoo.
They were both a joy to work with.

And Slash is the real deal.
The rock icon you would expect him to be.
But down to earth and soft spoken.
A true gentleman.

I was completely beside myself.

I happened to have a few rare GNR items in my collection, one I brought along to the TV shoot to have Slash sign for me.
An original ticket and flyer, circa 80′s, from one of their gigs at the famed Troubadour in West Hollywood.
The band’s stomping ground and where they played several of their most memorable performances.

Here are a few pictures from the shoot, as well as some other rare items from my collection.

 

Okay…you’ve seen what I have, here’s some stuff I want.

Figured it might be time after roughly three years to maybe post some pictures and descriptions of some things I’m looking to add to my collection.
Most of what I’m looking for can be best described as what I don’t know about. It’s always more fun and exciting to stumble upon something you’ve never seen or heard of before.
But, there are some items I would love to add to my collection.
If you have any of these items or know where they are, I’m always interested in talking.

Rock and Roll Photography. Visual storytelling at it’s best.

Copyright Rob Shanahan.

Copyright Rob Shanahan.

I’m going to be giving a talk at the Griffin Museum of Photography in Boston, February 16th in conjunction with their current exhibit on Rock and Roll photography.

Some of the featured photographers are: Mike Mitchell, Herb Greene, Bob Bonis, Ron Pownall, Astrid Kirschherr, Melissa Mahoney and Brian Babineau to name a few.

Many of these photographers have had a enormous impact on me.
Their enduring and powerful images have inspired me to make photography a major part of my collection.
It prompted me to write a post on Rock and Roll photography and how important it is as an art form.

Photography has brought new meaning and importance to items I have purchased over the years. Whether serving as photographic reference, or adding depth and history to the items I have.

The story and photo behind the piece I have often found is more interesting and meaningful to me than the piece itself.

They are everywhere we want to be.

Backstage and onstage.
In limos.
In the studio.
Standing in front of the stage.
Sitting in dressing rooms.
Riding the elevators.
Grabbing a bite in a restaurant…..catching moments no one would see, if not for them.

Thank you all.

The prints shown here are those of Rob Shanahan.
These two beauties are in my personal collection.

You can see more of Rob’s exceptional work on his website.

robshanahan.com

….And he’s just published a book.
I had the pleasure of finally meeting Rob in Anaheim at the NAMM show this past January just a few weeks ago where he was signing and promoting his book.

Here’s a bit more info on this super talent.

Rob is recognized as one of music’s most published photographers. He’s also Ringo Starr’s personal photographer. “Volume 1” is his first book of photographs and it features photos of such iconic musicians as Ringo Starr, Paul McCartney, Keith Richards, Eddie Van Halen, Joe Walsh, Christina Aguilera, Sheila E, Tommy Lee, Dave Navarro, and many more. It includes intimate shots of the musicians not only behind the scenes, but also in the studio, onstage and backstage as well. Along with the photos is a foreword by Ringo Starr, artist quotes, and personal anecdotes shared by Shanahan.

Rob has been getting a lot of good press about his book. Check out his interview on Good Day LA and slideshow at Spin Magazine.

My room is not only filled with memorabilia, it’s filled with books on Rock and Roll Photography.

Copyright Ken Regan. Keith Richards, San Antonio, 1975. (I own the guitar strap.)


Copyright Michael Putland. The Rolling Stones 1978. (I own the shirt Keith is wearing.)

Copyright Paul Natkin. Keith Richards portrait. (I own the attitude.)

Here’s a few other wonderful prints I own.
All I need is the room to hang them.
If I stop buying prints, I could maybe build an addition.

Enjoy.

Some girls give me money, Some girls buy me clothes.

I thought I’d start the New Year off by writing a post on one of my favorite Stones albums, Some Girls.

Some Girls is the 14th British and 16th American studio album by The Rolling Stones, released in 1978.
Considered a highlight of their output and the best of their post-Exile on Main St. records, the album revitalized the band’s career upon its release and re-established The Rolling Stones as a vital rock and roll band in an era infused with punk rock and disco.
It also became the band’s biggest-selling album in the United States, with more than six million copies to date.
Some Girls is ranked number 269 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

At least as important for the band’s reinvigoration was the addition of Ronnie Wood to the lineup, as Some Girls was the first album recorded with him as a full member. His guitar playing style meshed with that of Keith Richards.
Wood’s slide guitar playing would become one of the band’s hallmarks, and his unconventional uses of the instrument are prominent on Some Girls.
In addition, Jagger, who had learned to play guitar over the previous decade, contributed a third guitar part to many songs. This gave songs like “Respectable” a three-guitar lineup.

Here’s the framed shirt Keith wore in the “Respectable” video shot on May 2, 1978.

Mick Jagger is generally regarded as the principal creative force behind Some Girls, a conception that, though disputable (Richards was present at all of the sessions), is plausible considering Richards’ various legal entanglements at the time. Jagger claimed in a 1995 interview to have written a great number of the album’s songs (though when the amount was pointed out to him he denied that the record was mostly his own), including its signature song, “Miss You.” In addition to punk, Jagger claims to have been influenced by dance music, most notably disco, during the recording of Some Girls, and cites New York City as a major inspiration for the album, an explanation for his lyrical preoccupation with the city throughout.

The inspiration for the record was really based in New York and the ways of the town. I think that gave it an extra spur and hardness. And then, of course, there was the punk thing that had started in 1976. Punk and disco were going on at the same time, so it was quite an interesting period. New York and London, too. Paris—there was punk there. Lots of dance music. Paris and New York had all this Latin dance music, which was really quite wonderful. Much more interesting than the stuff that came afterward.

Above is a complete Some Girls press kit signed by the band as well as Ian Stewart and Ian McLargen.
Ronnie Wood signed Woody which he never does.
The Art Collins collection.

Rare boxing style poster.

A real oddity.
The die-cut faces that were once part of the original graphics for the Some Girls album cover.
Mick threw these into the audience instead of his traditional rose petals during the brief 1978 tour.

When Keith Richards uses your office as a closet, what do you do?

Keith's Black leopard lined leather jacket, worn in the late 70's.

Art Collins Vice President of Rolling Stones Records from 1981-1986,
experienced a thing or two in his time with the band, as this post and story will attest to.
Like his office being used by Keith Richards to store various items of clothing.
Specifically the black leather jacket you see pictured.
When I bought this item, I was as fascinated by the story,
as I was being able to buy such an iconic item belonging to the legend himself.

What really defines a rock star?
Many things I imagine.
Obviously their music first and foremost.
But then, a close second has to be their style.
And what describes “The Human Riff,” better than one of his many leather jackets.
In building my collection I’ve always had an eye to collecting items that truly capture the spirit and the essence of the individual.
In the case of Keith Richards, he has for me defined what Rock and Roll is.
In his music, and his lifestyle.
The true definition of Rock and Roll excess.

Here’s the letter from Art describing the circumstances in which he came upon Keith’s jacket as well as an article in a trade magazine describing the clothes Art speaks of piled up in his office on his couch.

Enjoy.