Rolling Stones “50 Years of Satisfaction.” I have two days to take it all in. Day One.

Rolling Stones: 50 Years of Satisfaction will be the Museum’s first ever major exhibition capturing the band’s legendary career spanning more than 50 years.  It will include personal items and extraordinary collections that have never been seen before by the public. The exhibit will be open till March 2014.

“The Rolling Stones are the epitome of rock and roll,” said Greg Harris, president and CEO of the Rock and Roll Hall of Fame. “This first-ever exhibit gives us an opportunity to tell the story of one of the definitive rock and roll bands. The experience should be on every music fan’s destination list this summer.”

The Rock and Roll Hall of Fame and Museum presents Rolling Stones: 50 Years of Satisfaction will be a comprehensive retrospective exhibit that chronicles the band from the mid-1960s until today.  The exhibit, which takes up two-and-a-half floors of the Museum, will celebrate the Rolling Stones’ incredible contribution to popular music from their earliest days playing small clubs, to their era-defining recordings such as “Gimme Shelter,” “Paint It Black,” “Jumping Jack Flash,” “Tumbling Dice,” “It’s Only Rock And Roll” and sold-out global tours. Through the use of artifacts, film, text and interactive technology, generations of music fans will have the opportunity to get up close and personal with rare items from nearly every aspect of the Stones’ astonishing five decades at the top.

Throughout the exhibition’s run, the Museum will host a range of free public programs that explore the significance and legacy of the Rolling Stones, including interviews, films, and special lectures.

For the first time, the Rock and Roll Hall of Fame and Museum will launch a fan-generated interactive exhibition, inviting people from all over the world to share their photos of memorabilia, artwork, Rolling Stones concerts and more that will populate a multimedia display in the Museum’s Rolling Stones exhibit as well as online.

Fans are encouraged to upload their original images to Twitter and Instagram with the hashtag #rockhallsatisfaction to contribute to the submission feed. Images uploaded will be available to be viewed in the exhibit as well as online through the Rock and Roll Hall of Fame and Museum’s Facebook page throughout the duration of the exhibit!

……..I had no idea of what to expect when I showed up to see the new Stones exhibit.

I had never been to the Rock and Roll Hall of Fame.

I had never even been to Cleveland.

For a rock and roll memorabilia junkie like me, it was the “Stairway To Heaven.” I must admit it was a bit overwhelming. You need a solid two days. Maybe three to take it all in. I was able to do the Stones exhibit in about 3 hours and I feel like I saw it all.

You enter the exhibit by walking up a staircase, where you enter the exhibit through a giant lips and tongue.

It was kind of a shock to see my name on the exhibition display thanking the supporters. Wait is that Mick Jagger, Keith Richards, Ronnie Wood and Charlie Watts on there?

The bottom floor was dedicated to the early years. And I mean early….The collection was mind blowing. The artifacts were grouped by era. Large plexiglass displays with early posters and handbills that serve as the backdrop to the rarities, that held several and sometimes dozens of pieces of memorabilia. Here’s a few photos.

Everybody knows this baby, Brian’s Teardrop….

Keith’s “High Tide and Green Grass” leather jacket.

What’s crazy is that some of this stuff exists. You wonder first, who the hell does it belong to, (which of course is labeled for all to see,) but then, how the hell did it survive?

I can’t say enough about the displays. They were beautifully designed and conceived. Bravo Howard and Company!

One of the highlights for me was seeing Mick’s Jumpsuit from the 1972 tour, designed by Ossie Clark. Donated by guess who, yup, Mick himself.

Let’s head upstairs….

Upstairs has displays on the years 1973-2006, The Bigger Bang Tour.

This is the floor where all my items were displayed. The above item is killer. The original art for the “It’s Only Rock And Roll” album cover by Guy Peelaert, 1974.

My Keith Richards Bobby Lee guitar strap from the Tour of the Americas, 1975 was in a display with the famous Charlie Watts mariachi shirt from the same tour.

Next, I found my Keith Richards leather jacket, “Tattoo You” marketing notes, and single picks for “Tattoo You,” all written by Mick…1981.

Here’s my Keith linen pirate shirt in the 1978 “Some Girls” era display.

And a few more. My Mick handwritten rehearsal set list for the secret Sir Morgan’s Cove show in 1981, and Cockroaches ticket for the show on Blue Sunday.

The Hall of Fame knows how to do it right.

They ask for only scans and copies of all rare handwritten items and labeled them on the displays as reproductions. The originals safely in the hands of the owners.

I will post a Day Two with more photos soon….

Peace,

Gary Rocks

Rare Love You Live record store display. Only two known to exist.

I have been fortunate to have just picked up this rarity. To the best of my knowledge, I am aware of only two that exist. And it took a bite out of my wallet.

Ok, enough with the bad puns….

This record store display promotes the Stones 1977 live album, “Love You Live.” Artwork by the famed pop artist Andy Warhol. Stones collectors are more than familiar with this album and the promotional items produced for it. They are some of the most sought after collectibles ever produced by the Stones. They also have a strong cross over interest to Warhol and pop art collectors as well.

It is well know Warhol was less than pleased with how Mick and the Stones used his art in designing the materials to promote the album.

He in fact has stated publicly he hates Mick’s handwritten treatment of “Love You Live” that appears as the typography on the cover design. As he puts it, ruining the beautiful image and art he created.

This display holds an actual album that sits and is help supported by Mick’s teeth. The “biting” was a theme that was used in all the materials Warhol designed.

Here are a few other items that shows Andy’s obsession with teeth…

Andy and Mick hanging out at the release party for the album at Trax in NYC in 1977. The album Mick is holding is my signed album from the Art Collins collection. Art is standing in the background patiently waiting for the photographer to snap the picture, so he can get his album back.

The album.

Happy Hunting.

Gary Rocks.

Rare original art produced for a billboard promoting The Rolling Stones Let It Bleed found.

The Rolling Stones are certainly not strangers when it comes to the art of self promotion.

They rule. Plain and simple.

There has been no other band in the history of rock n’ roll that knows how to stir up controversy and buzz over what they are doing or about to do, better than Mick and company.

And Sunset Blvd in LA is where we saw a lot of their ideas come to life.

Shown here are several examples of billboard advertising, an all but dying medium these days, where the Stones strutted their stuff.

Usually the Stones used billboard advertising to promote a new album.

The LA scene is where you can find about every artist during the 70′s and 80′s using this larger than life opportunity to deliver their message.

And as we know the Stones didn’t shy away from imagery that would infuriate and disturb anyone who looked at it. The infamous “Black and Blue” board whose image of a bound and beaten woman eventually had to be pulled down.

Even in announcing their upcoming “50 And Counting” tour, the Stones took to the streets to create anticipation and buzz around the announcement.

The above original art was recently found looks to be created to promote the Stones new London album “Let It Bleed.” It is unknown if in fact the art was ever used or made it’s way to a billboard. This is first major introduction of Mick Taylor as well.

As you can see from the recognizable clothing, Mick is his iconic omega shirt and scarf, this is clearly from the 1969 Ya Ya’s period.

I’m thrilled to now own this incredible never before seen rarity, coming from my good friend Jeff Gold of Recordmecca.

Thanks Jeff.

This one is a keeper.

Happy Hunting.

Gary Rocks

….Off we go to the Rock And Roll Hall of Fame for the “Rolling Stones: 50 Years Of Satisfaction” exhibit.

Suffice to say when THE Rock And Roll Hall Of Fame called me and asked if I’d be interested in putting some of my collection on loan for the upcoming “Rolling Stones: 50 Years of Satisfaction” exhibit, I was freakin’ blown away.

Let me think about it….Aaaaaah, YES! YES! YES!

So, off I went to pack up and say goodbye to my babies for the next two years. I mean seriously, how do you say no to this???

Sniff, sniff….separation anxiety is beginning to set in.

“Bye, bye kids….Call me every once in awhile and let me know you’re okay.”

“Okay?”

Rolling Stones: 50 Years of Satisfaction will be the Museum’s first ever major exhibition capturing the band’s legendary career spanning more than 50 years.  It will include personal items and extraordinary collections that have never been seen before by the public. The exhibit will be open till March 2014.

“The Rolling Stones are the epitome of rock and roll,” said Greg Harris, president and CEO of the Rock and Roll Hall of Fame. “This first-ever exhibit gives us an opportunity to tell the story of one of the definitive rock and roll bands. The experience should be on every music fan’s destination list this summer.”

The Rock and Roll Hall of Fame and Museum presents Rolling Stones: 50 Years of Satisfaction will be a comprehensive retrospective exhibit that chronicles the band from the mid-1960s until today.  The exhibit, which takes up two-and-a-half floors of the Museum, will celebrate the Rolling Stones’ incredible contribution to popular music from their earliest days playing small clubs, to their era-defining recordings such as “Gimme Shelter,” “Paint It Black,” “Jumping Jack Flash,” “Tumbling Dice,” “It’s Only Rock And Roll” and sold-out global tours. Through the use of artifacts, film, text and interactive technology, generations of music fans will have the opportunity to get up close and personal with rare items from nearly every aspect of the Stones’ astonishing five decades at the top.

Throughout the exhibition’s run, the Museum will host a range of free public programs that explore the significance and legacy of the Rolling Stones, including interviews, films, and special lectures.

http://rockhall.com/exhibits/rolling-stones-50-years-of-satisfaction/

These are the hand picked pieces from my collection the Hall Of Fame chose to exhibit and that will be traveling around the country.

Mick’s handwritten marketing notes for “Tattoo You.”

Keith’s Bobby Lee guitar strap used during The 1975 “Tour Of The Americas.”

Keith’s linen pirate shirt worn on tour during the mid 70′s and in the “Respectable” video.

Keith’s leopard lined leather jacket from the 70′s.

Cockroaches t-shirt and stub from the Stones secret gig at Sir Morgan’s Cove in 1981.

Mick’s handwritten selections for singles from “Tattoo You.”

Mick’s handwritten rehearsal set list for the Sir Morgan’s Cove show.

and the letter back….. pretty cool.

The greatest Stones album ever, Exile on Main Street and the 1972 tour. And the rarest of all Stones memorabilia.

Exile on Main Street was a 1972 release (on Atlantic Records) by The Rolling Stones, with cover artwork & design by John Van Hamersveld. When the Rolling Stones released Exile in 1972 – a double album of songs representing the many different genres of music that shaped Stones music at the time – fans and critics found themselves having to spend a lot of time trying to “get it”. It required a number of listens to gain an appreciation of what, on the surface, often seemed to be a collection of studio out-takes and Richards/Taylor/Watts jams than a freshly-recorded musical offering.

Super rare promo poster featuring 3-Ball Charlie.

Rare Exile record store display.

Many critics of the era failed to appreciate the Stones’ explorations of R&B, Soul, Country and roots Rock that were spread over the 4 album sides. In fact, the record was comprised of a series of recordings done during the previous four years and, as such, they featured a variety of mixes (some better than others) and showed the band building on top of these influences in their own inimitable style to the point that, now over 35 years later, the package is considered by many to be the band’s most-authentic offering. It is always listed near the top of most of the “Best Of” and “Greatest” lists (#7 on the Rolling Stone Magazine 2003 list of the “500 Greatest Albums of All Time”, #22 on VH-1’s survey, and even impressed the younger generation enough to be ranked #11 on Pitchfork’s 2003 list of Best Albums of the 1970s).

In a similar fashion, when the buying public took their first look at the design and imagery of the sprawling record cover, most people admitted that they didn’t “get it”. Having just soaked in Warhol’s ultimately-iconic zipper cover for Sticky Fingers, fans should have been ready for anything, but John Van Hamersveld’s designs seemed to confound them, asking them to digest a rough, anti-establishment, punk-before-there-was-punk collage of images that may have, initially, combined with the unfamiliar musical stylings to impact sales (don’t worry, as the record was supported by the now-famous 1972 American concert tour and songs such as “Happy” and “Tumbling Dice” got some significant radio play, the record went on to top the charts in the U.S. and the U.K.).

And so when Van Hamersveld, who’d established his industry cred via his poster and package designs for Hendrix, The Beatles (Magical Mystery Tour), Jefferson Airplane (Crown of Creation) and others, was approached by the Rolling Stones (who were in a studio in LA putting the finishing touches on this new album) to work on the graphics and packaging for a songbook project the band wanted to release, an interesting series of events on the day of their initial meeting had a profound impact on the course of album art history.

Below is a rare printers proof of the 12 card set included in Exile double album, shot by famed South African photographer, Norman Seeff. Here he writes a note on the reverse of the card set to John Van H. expressing his displeasure with the quality of the reproduction.

The next two items might be two of my favorite Exile period pieces. Flyers for the lost live album. You can see the proposed design above.

These are two unused flyers of both Mick and Stevie Wonder printed on newsprint. The art is beautiful art deco 1920′s style.

Keith and Les. A match made in heaven.

A rare in-store poster featuring Keith, 1975. Size 22″ x 29″.

With a music career that has now hit 50 years (The Rolling Stones performed their first gig on July 12, 1962), Keith (Keef) Richards has played just about every guitar under the sun. He puts his collection at “about 500”, which, amazingly, means he’s acquired a guitar every five weeks, on average, since 1962. Many of these have been Gibson guitars, some with legendary status. Here are just a few of the Gibson guitars Richards has riffed on.

1959 Gibson Les Paul Standard Sunburst

Even some ardent Gibson Les Paul fans forget this, but Keith Richards was the first big-name guitarist to tote a Sunburst Les Paul. His most fabled was an original 1959 Les Paul Standard. The guitar was bought new in 1961 from Farmers Music Store in Luton (U.K.) by John Bowen, who played with aspiring English popsters Mike Dean & The Kinsmen. Bowen had a Bigsby vibrato fitted at Selmer’s music store in London before trading it for another guitar in 1962. Soon after, a young Keith Richards, playing guitar in a little-known band called The Rolling Stones, walked in to Selmer’s and bought it.

Richards used the ’Burst extensively in the Stones’ early days. It was seen regularly from 1964 to 1966 when Keith began to favor Les Paul Customs. Appearances on TV show Ready Steady Go and classic songs like “The Last Time” and “Satisfaction” were all played on this ’59 ’Burst.

Keef sold the guitar to Mick Taylor in 1967 – the future Stone had replaced fellow Les Paul maestros Peter Green (and before him, Eric Clapton) in John Mayall’s Bluesbreakers.

There are photos of Mick Jagger with the ’59 Burst at some 1970 recording sessions – by which time Taylor was in The Stones – but it then disappeared. Rumor has it that the guitar was stolen in 1971, either from London’s Marquee Club after a gig, or from Nellcote in southern France during the recording of Exile on Main St. Whatever the truth, it did end up in the hands of Cosmo Verrico of the Heavy Metal Kids who were signed to Atlantic Records (alongside The Stones).

Verrico owned the ’59 until 1974, when he then sold it to Bernie Marsden (later of Whitesnake). Marsden kept the guitar for a little over a week before, perhaps rashly; he sold it to a U.K. collector. The fabled ’59 was sold again to another collector in 2006, “somewhere in Europe” according to auctioneers.

The 1975 catalog featured Keith on the cover.

Gibson Hummingbirds

Keef loved acoustics in the late ’60s. “Jumpin’ Jack Flash” and “Street Fighting Man” were both written on his favored Gibson Hummingbird (vintage unconfirmed). Says Keef: “I tuned to open D, six string. Open D or open E, which is the same thing – same intervals – but it would be slackened down some for D. Then there was a capo on it, to get that really tight sound. And there was another guitar over the top of that, but tuned to Nashville tuning. Both acoustics were put through a Phillips cassette recorder. Just jam the mic right in the guitar and play it back through an extension speaker.” In his Life autobiography, Richards reveals, “There are no electric instruments on ‘Street Fighting Man’ at all… All acoustic guitars. ‘Jumpin’ Jack Flash’ the same.”

Gibson Les Paul Customs

By 1966, Richards was using three-pickup Les Paul Customs (the so-called “Black Beauty”). He had four, at least. He first used one in ’66, but that was stolen on tour in 1967. He purchased a new one in London, and this one was later painted by himself and then-partner Anita Pallenberg. It is now apparently owned by a U.K. guitar collector.

So why did that one go? Various stories say Keef gave it away or forgetfully left it in a Canadian guitar shop. He bought two new Les Paul Customs for the Stones’ 1969 tour, and used one for open-G tuning on “Jumpin’ Jack Flash” and “Street Fighting Man” (live), the other in standard tuning. Both these Black Beauties were reportedly stolen from Nellcote in July 1971. Bad luck or simple carelessness? By ’73, Keef was still using a ’54 Custom for “Midnight Rambler” on The Stones’ ’72-73 tours. The Rolling Stones’ Rock and Roll Circus film shows Keith rocking one of his early LP Customs.

His black 1959 ES-355 has been used for live versions of “(I Can’t Get No) Satisfaction,” “Oh No Not You Again,” “She’s So Cold,” “Little T&A” and others.

Of course, there was also Keith’s Flying V (played at The Stones’ Hyde Park performance in 1969), his numerous Epiphones, and the Gibson L-5S guitars built specially for Richards and Ronnie Wood in the ’80s. Oh, and his Gibson Maestro fuzz pedal that birthed “Satisfaction.”

All information provided by the Gibson website.

http://www2.gibson.com/News-Lifestyle/Features/en-us/keith-richards-0502-2011.aspx

“Senator Javits, I’d like to introduce Mick Jagger and Bianca Jagger.” “Oh yeah, and they have a check for you for $350,000.”

A rare and fascinating as well as historical lot of Mick Jagger items from the early 70′s. Mick Jagger and his new bride Bianca traveled to New York to present Senator Jacob Javits of New York, a sizable check for $350,000 to aid the Nicaraguan Earthquake victims, of which Bianca’s family were some.

Here is an autograph signed by both Mick and Bianca on a US Senate notepad, as well as original news clippings from the meeting of the two.

In 1973, The Stones gave a benefit concert in LA to help to raise money. the ticket stub shown is from that show.The watch pictured was later donated by Jagger to LA radio station KMET-FM, who ran a week long auction to raise  additional money for the victims.

The watch was a gift from Atlantic Records President Ahmet Ertegun, to Jagger right about the time the Stones signed the deal with Atlantic.

“Welcome To My Jungle.” Some rare Guns N’ Roses memorabilia.

I’ve been fortunate in my years in advertising to have met some pretty cool people.

Like say, Slash for instance.
I’ve always been a HUGE Guns N’ Roses and Slash fan.
Their critically acclaimed debut album “Appetite for Destruction” is still one of my top five favorite rock albums.
Most if not all critics agree it set the bar for heavy metal rock in the 80′s.

I just finished up a TV campaign for the L.A. Zoo promoting a new exhibit called The Lair in which Slash and the venerable wise cracking octogenarian, Betty White starred.
We shot 5 different TV spots over the course of a day at the zoo.
They were both a joy to work with.

And Slash is the real deal.
The rock icon you would expect him to be.
But down to earth and soft spoken.
A true gentleman.

I was completely beside myself.

I happened to have a few rare GNR items in my collection, one I brought along to the TV shoot to have Slash sign for me.
An original ticket and flyer, circa 80′s, from one of their gigs at the famed Troubadour in West Hollywood.
The band’s stomping ground and where they played several of their most memorable performances.

Here are a few pictures from the shoot, as well as some other rare items from my collection.

 

Okay…you’ve seen what I have, here’s some stuff I want.

Figured it might be time after roughly three years to maybe post some pictures and descriptions of some things I’m looking to add to my collection.
Most of what I’m looking for can be best described as what I don’t know about. It’s always more fun and exciting to stumble upon something you’ve never seen or heard of before.
But, there are some items I would love to add to my collection.
If you have any of these items or know where they are, I’m always interested in talking.

More rarities from the 1972 STP tour, simply the best Rolling Stones tour hands down.

This is an original concert tour handbill flyer for the Rolling Stones 1972 American Tour live LP that was never released.
The artist was Don Wilson.
The artwork is stunning. Reminiscent of the art deco style seen in the early jazz posters from the 1920′s-30′s.
Often referred to as “The Great Lost Live Album.”
There was also a flyer of Stevie Wonder from the back cover.
This is from the few ever printed only to be used in the photograph on the front cover of the LP.
Measures 10″ x 6.75″ printed in black on thin newsprint.

*from the collection of Gary Rocks

…..fast forward two years in 1974 and this concert and tour can be seen on the big screen in “Ladies and Gentleman: The Rolling Stones.”
Recently released on DVD.

The Stones being the ultimate showmen promoted the film in typical flashy Stones style.
With elaborate posters and giveaways at the theaters.

The concert film is Mick and the boys at their dirty and grittiest best.
Mick Taylor’s solos and slide guitar is nothing short of inspired and the band couldn’t be any tighter.
Full horn section with Bobby Keys and Jim Price…
“Midnight Rambler” is worth the price of the DVD if you haven’t already picked it up.
Mick slithering and squirming around like a snake, whipping the stage with his silk scarf.

A note to Exile designer John Van Hamersveld, from photographer Norman Seeff who shot the postcards for the album, on the back of a printer’s proof of the cards. He was less than pleased with the printing.

You can see a somewhat similar style used in
the art for the cover of the sheet music for “Tumbling Dice.”

Recently on eBay a backstage pass from the Madison Square Garden show was offered for $3000.
And if your inclined to spend a little more, you could have bought Mick Jagger’s authentic jump suit worn 7/26/1972, designed by Ossie Clark for MICK’S’ 29th birthday.
It was offered on eBay for an opening price, with a reserve for $25,000.

Check out this link too, interesting cuts and info on this infamous never to be released album.

http://www.rollingstonesnet.com/StonesOfficial72Live.html